主演：碧姬·芭铎,保罗·默里斯,夏尔·瓦内尔,萨米·弗雷,玛丽-若斯·纳特,安德列·奥曼斯基,克洛德·贝里,雅克·贝汉,路易斯·塞格纳,雷蒙德·梅尼尔,勒内·布朗卡尔,保罗·博尼法,于贝尔·德拉帕朗,路易斯·阿贝西,夏尔·布约,马塞尔·德莱特,杰曼·德尔巴,雅克·黑林,克里斯蒂安·吕德,雅克·马兰,科莱特·雷吉斯,苏济·维利,费尔南·勒杜,贝蒂·贝克尔斯,Jackie,Sardou,Simone,Berthier,Jacqueline,Porel
导演：亨利-乔治·克鲁佐
简介：法国著名大导演 亨利-乔治·克鲁佐 执导的经典法庭悬疑片，由一代银幕性感女神 碧姬·芭铎 领衔主演。影片通过一起诉讼案件，向观众讲述了一对青年男女之间炽热奔放、大胆自由、无拘无束、歇斯底里的爱情故事。亨利-乔治·克鲁佐 在片中使用了极具跳跃感的剪辑手法，这非但没有破坏叙事节奏，其特点反而与男女主人公之间充满张力与撕裂的感情纠葛一脉相承，为影片加分不少。
主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一直不能识字。他对姑妈遗留给他的藏书失望不已。直到夜晚降临，书中的人物纷纷现身，告知纳塔他们面临永远消失的危险。于是纳塔投身于一场冒险，来拯救他的朋友和他们的故事。他来得及读出拯救他们的咒语吗？
主演：伊莎贝尔·于佩尔,罗兰·拉斐特,安妮·康斯金尼,夏尔·贝尔林
导演：保罗·范霍文
简介：米歇尔（伊莎贝尔·于佩尔 Isabelle Huppert 饰）是一家游戏公司的老板，在同事和朋友们眼中，她为人冷淡疏离，行事雷厉风行，是一个无坚不摧的女人。可是，就在某一天晚上，米歇尔被闯入家中的蒙面暴徒强暴了。米歇尔没有报警，因为她的父亲曾是臭名昭著的连环杀人犯，而作为他的女儿，米歇尔再也不想和警方和媒体打交道了，她决定依靠自己的力量查出事件的真相。米歇尔要解决的麻烦还有很多，她的儿子娶了一个咄咄逼人的女人，她的母亲即将嫁给一个比她年纪还要小的男人，她的前夫有了新的约会对象，而她正在和她最好的朋友的丈夫偷情。某一日，暴徒再度潜入了米歇尔家中，这一次，米歇尔看清了他的面貌。
主演：艾玛纽尔·塞尼耶,马修·阿马立克
导演：罗曼·波兰斯基
简介：故事发生在一间阴暗人稀的剧院之中，编剧托马斯（马修·阿马立克 Mathieu Amalric 饰）正在为他所改编的剧本《穿裘皮的维纳斯》寻找合适的女主角。接连面试的几位演员都令托马斯感到失望，她们和他脑海里完美的女神形象简直千差万别。面试以一无所获的结局结束了，正当托马斯准备离开之时，一位被淋成了落汤鸡的落魄女郎闯入了剧院。女郎名叫旺达（艾玛纽尔·塞尼耶 Emmanuelle Seigner 饰），巧合的是，她与托马斯剧本中的女主角同名，可是，旺达粗鲁的举止和浅薄的学识让托马斯在内心里暗暗的否定了她。令托马斯感到惊讶的是，旺达不仅拥有全部的剧本，还自备了戏服，在旺达的一再坚持下，托马斯同意了她想要试演的请求，并且亲自与她对戏。就这样，在瓢泼大雨之中，一场关于男人与女人、命令与服从的好戏拉开了帷幕。
主演：内详
导演：达尼埃尔·于伊耶,让-马里·斯特劳布
简介：Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
主演：肖恩·康纳利,维吉妮娅·马德森,克里斯多弗·兰伯特,迈克尔·艾恩塞德
导演：拉塞尔·穆卡希
简介：1999年，臭氧层即将毁灭殆尽之际，麦克罗设计了雷射罩将地球包裹起来取代了臭氧层，然而人们的生活从此受限，然而麦克罗的真正身分却是另一星球的叛军领袖，已经逐渐消逝的记忆，却在一偶然机会被唤起……
主演：安娜·卡里娜,拉斯洛·绍博,让-皮埃尔·利奥德,玛丽安娜·菲斯福尔,伊夫·阿封索
导演：让-吕克·戈达尔
简介：记者保拉为了追求杀害男友里沙尔的真正凶手，来到了亚特兰提克城，这是一个深受美国文化影响的地方，之后出现了一大堆像唐纳德、里查德、维德马克、多丽斯.沟口……有着怪名字的怪人。保拉在追寻真相的过程中，还卷入了政治阴谋和黑帮事件中。法国新浪潮电影大师戈达尔把美国好莱坞黑帮电影的所有元素用在这部非常刻意的政治恐怖片中，明显向该类型的大师萨缪尔富勒、尼古拉斯雷、霍华德霍克斯等做了模仿式的致敬，片中还涉及许多真实的政治背景和暗杀事件。整部影片虽然显得情节荒唐，较为做作，但导演通过流行音乐（其中一首是《北非碟影》中的“时光流逝”）、广告插画、气氛处理等方法展现深受美国流行文化影响和主导下的法国社会景象。以《美国制造》为标志，戈达尔的政治批判意识进入其后期阶段。他将电影的叙事惯例当作现实政治在电影艺术门类中的主要表现而加以痛烈的反对。为此，他对电影的表现手段进行了极富挑战性的探索。
主演：让·勒费弗尔,昂利·吉贝,皮埃尔·蒙迪
导演：Robert,Lamoureux
简介：在敌后区，德国仍在控制小城。而一个对于德军相当于“眼中钉”的一个组织在秘密行动。三位士兵聚在一起，庆祝退伍。然而当他们晚上在郊外捕兔子时，无意中打出了使组织的秘密人物飞机降落的暗号。早已得知情报并埋伏在那的德军实施抓捕行动，但他们还是侥幸逃脱……他们也稀里糊涂地成为了德军全力抓捕的“犹太共济会组织三个核心人物”……经典喜剧------正太猫
主演：乔什·布洛林,大卫·柯南伯格,北野武,伊莎贝尔·阿佳妮,碧姬·芭铎,拉斯·冯·提尔,让娜·莫罗,威廉·达福,南尼·莫莱蒂
导演：西奥·安哲罗普洛斯,奥利维耶·阿萨亚斯,比利·奥古斯特,简·坎皮恩,尤瑟夫·夏因,大卫·柯南伯格,迈克尔·西米诺,伊桑·科恩,乔尔·科恩,让-皮埃尔·达内,吕克·达内,曼努埃尔·德·奥利维拉,雷蒙·德帕东,阿托姆·伊戈扬,阿莫斯·吉泰,亚利桑德罗·冈萨雷斯·伊纳里多,侯孝贤,阿基·考里斯马基,阿巴斯·基亚罗斯塔米,北野武,安德烈·康查洛夫斯基,克洛德·勒卢什,肯·洛奇,大卫·林奇,南尼·莫莱蒂,罗曼·波兰斯基,劳尔·鲁伊斯,沃尔特·塞勒斯,伊利亚·苏雷曼,蔡明亮,格斯·范·桑特,拉斯·冯·提尔,维姆·文德
简介：给你一个三分钟，你会拍出怎样的电影？本片由35位知名导演，为庆祝戛纳电影节六十周年而拍摄的三分钟短片组成。细心的你会发现，在此短篇集中不仅有众多知名演员的参演，更有著名导演的客串演出。这短暂的三分钟光影，不仅浓缩了精妙的生活片段，更有每位导演对电影、对人生的深刻体悟。 或温情或冷峻或真实或迷幻，人生何止五味，《每个人都有他自己的电影》如是说，你的呢？
主演：让·杜雅尔丹,皮埃尔·尼内,Melodie,Casta,娜塔莎·兰丁格尔,弗拉迪米尔·约尔丹诺夫,法图·恩迪亚耶,Pol,White,Ricky,Tribord,Hersi,Abdirizak
导演：尼古拉斯·贝多斯
简介：The third entry in secret agent OSS 117's parodic spy adventures.
主演：路易·德·菲奈斯,吉内薇芙·格拉德,米歇尔·加拉布吕,丹尼尔·柯西,Madeleine,Delavaivre,玛丽娅·帕科姆,克洛德·皮埃普吕,加布里埃莱·丁蒂,Michelle,Wargnier,克里斯蒂安·马兰,让·勒费弗尔,Sylvie,Bréal,Martine,de,Breteuil,让·德罗兹,雅克·法梅里,帕特里斯·拉丰,居伊·格罗索,米歇尔·莫多,Giuseppe,Porelli,妮科尔·韦维尔,费尔南·萨尔杜,France,Rumilly,亨利·阿里乌斯,André,Badin,皮埃尔·
导演：让·吉罗
简介：奎萨（路易·德·菲耐斯 Louis de Funès 饰）带着自己的女儿妮可（吉内薇芙·格拉德 Geneviève Grad 饰）来到了一个新的城市工作生活，为了不被新结识的朋友们嘲笑，妮可谎称自己的父亲是一名百万富翁，并且拥有一艘豪华游艇。朋友们起哄让妮可带他们到游艇上玩，为了谎言不被揭穿，妮可只得接着欺骗游艇管理员。游艇真正的主人是当地的黑社会老大，他刚刚非法得到了一副价值连城的油画，将它藏在自己的爱车中。哪知道妮可的朋友们误将那辆车认为是妮可父亲的，于是偷偷的开出来兜风，最终他们的一连串骗局都被奎萨给撞穿了。在将车物归原主的时候，奎萨误打误撞的带走了那幅画，哪知道竟然被误认为是偷画贼。
主演：阿兰·夏巴,蕾雅·德吕盖,阿娜伊斯·德穆斯蒂埃,伯努瓦·马吉梅尔,勒娜·拉佩,Mikaël,Halimi,Grégoire,Bonnet,Roxane,Arnal,Nagisa,Morimoto,Marie-Christine,Orry,Stéphane,Pezerat
导演：昆汀·杜皮约
简介：Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them what is in the basement may well change their lives forever.
主演：帕斯卡尔·格雷戈里,阿丽尔·朵巴丝勒,法布莱斯·鲁奇尼,克莱芒蒂娜·阿穆鲁,François-Marie,Banier,Michel,Jaouen,Jean,Parvulesco,Galaxie,Barbouth,Jessica,Schwing,Raymonde,Farau,Manuella,Hesse,Solange,Blanchet,Mathe,Pillaud,Isabelle,Prevost,Michel,Tisseau,弗朗索瓦丝·埃切加雷
导演：埃里克·侯麦
简介：一个偏远小城的市长，为一块在城郊的地皮做了份计划，自认为能够得到中央政府的批准，并以此作为其政治攀升的资本。他本来计划在那块地上建立一个附有大型停车场的文化运动中心。该计划似乎只有一个反对的声音，来自一个环保人士——学校的语文教师。不久市长爱上了一个女作家，她是典型的知识分子，而市长的女儿开始与那个语文教师的女儿结成好友，使得市长的生活起了波澜，也使他的计划似乎搁浅。
主演：格雷戈瓦·勒普兰斯-林盖,达尼埃莱·莱布伦,格莱高利·嘉德波瓦,埃默琳·格,Nicolas,Bimont,Guy,Conrad,Nicole,David,Christiane,Guillon,Micheline,Levchin,Jacques,Treiner
导演：奥利维耶·特雷内
简介：阿德里安（Grégoire Leprince-Ringuet 饰）是一个学习钢琴已有15年之久的天才钢琴家，可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成，人生跌落谷底。经过一段时间调整，阿德里安重新振作，成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜，这会让别人认为他听觉方面更加敏锐，并由此得到更多的同情和消费，甚至还会窥视到别人的生活与隐私，他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天，他来到一户人家工作，殊不知这里刚刚发生一起凶案……本片荣获2011年卢纹（Leuven）国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
主演：弗朗索瓦·贝莱昂,萨加莫尔·斯蒂芬南,洛可·希佛帝,卡罗琳·杜西
导演：凯瑟琳·布雷亚
简介：年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：埃米尔·库斯图里卡,吉约姆·卡内,亚历山德拉·玛丽亚·拉娜,茵格保加·达坤耐特,威廉·达福,黛安·克鲁格
导演：克里斯蒂安·卡里翁
简介：根据轰动冷战时代的前苏联克格勃探员间谍案真实事件改编，讲述前苏联克格勃叛逃者弗拉基米尔与法国情报人员合作，成为前苏联解体的诱因，故事本身和影片题材还是很有争议性的，影片由著名导演埃米尔·库斯图里卡和法国英俊才子吉约姆·卡内共同主演。导演克里斯蒂安·卡里昂此前曾导演过《梦想起飞的季节》和《圣诞快乐》等。1985年8月1日，前苏联情报机构克格勃罗马第一总局五处维塔利·尤尔钦科上校借口参观梵蒂冈博物馆，走进了驻罗马的美国大使馆，这位冷战期间叛逃的克格勃最高官员，抖出了数名在美国国家安全局工作的苏联间谍，导致克格勃在西方的间谍机构受到致命破坏。
主演：弗朗索瓦·贝莱昂,,萨加莫尔·斯蒂芬南,,洛可·希佛帝,卡罗琳·杜西
导演：凯瑟琳·布雷亚
简介：年轻漂亮的小学教师玛丽（Caroline Ducey 凯瑟琳•杜希 饰）与相识三个月的男友保罗（Sagamore Stévenin 萨加莫尔•史蒂文 饰）同居，虽然保罗口口声声说深爱玛丽，却从不与她做爱。纵然玛丽极尽挑逗之能，也始终得不到回应。倍感失落和挫折的她终于尝试出轨，她周转与各色男人之间，尽情享受久违的肉体欢愉。 然而即便如此，玛丽仍然疯狂爱着那个让她心碎、嫉妒、痴迷的保罗。在不甚成功的床第欢愉之后，玛丽终于怀有身孕，也如愿和保罗走入婚姻的殿堂。只是，似乎一切并未因此有所改变……
主演：樊尚·马凯涅,皮奥·马麦,莎拉·纪欧多,Sarah,Le,Picard,弗洛伦斯·詹纳斯,Lou,Lampros,恩斯特·吴默埃,Sylvain,Jacques,Jehanne,Pasquet,Pauline,Vidal,Thibault,Fraisse,Samuel,Achache,Sékouba,Doucouré,Moncef,Miladi,Malika,Zairi
导演：艾利·瓦吉曼
简介：米迦尔是一名夜间医生。他的病人大多来自动荡的贫民区，比如其他医生根本不屑于接待的瘾君子。他不仅见证着病人们复杂的人际关系，自己也深陷生活的泥沼：不知道如何做一个好丈夫，和情人的关系也越来越不顺利。当一名药剂师亲戚拉他下水，一起贩卖虚假药物，他的人生彻底地脱轨了。又一个夜幕降临，他能不能把握住机会，做出正确的选择，守住自己的良知和底线？
主演：马修·阿马立克,达米彦·奥图
导演：达米彦·奥图
简介：一位堅信能在純粹性愛中找到真愛的巴黎男人理查O先生（馬修亞瑪希飾），僅僅因為女友想要孩子就和她分手。缺少異性的理查為了得到理想的性伴侶，和朋友在街頭開始所謂的「性觀念」調查，他用DV錄下對這些女人的訪談，變換各種方式和地點與她們做愛。最終，理查雖享盡了不同的刺激，卻也迷失在沒有真情的日子裡...
主演：热拉尔·德帕迪约,埃德瓦·贝耶,圭洛姆·加里尼,文森特·拉科斯特,瓦莱丽·勒梅西埃,法布莱斯·鲁奇尼,凯瑟琳·德纳芙,夏洛特·勒·邦,伯利·兰内尔,丹尼·伯恩,Atmen,Kelif,让·雷谢夫,热拉尔·朱尼奥,卢卡·津加雷蒂,菲利波·蒂米
导演：洛朗·蒂拉尔
简介：“高卢英雄”喜剧系列又有了新篇章，此次高卢英雄们要为女王服务，抵抗凯撒率领的罗马兵团入侵。本次导演是专拍法式文艺爱情片的劳伦·泰拉德，曾经以《莫里哀情史》留名法国影史，而拍起喜剧来他丝毫没有束手束脚，延续了该系列之前疯癫、夸张的搞笑方式，并且新加入了英式法语将英国与法国的历史恩仇调侃个够。影片阵容强大，“大鼻子情圣” 杰拉尔·德帕迪约继续压阵，法国国宝级女星凯瑟琳·德纳芙扮演女王尽现雍容。
主演：恩里克·洛维索,Valentina,Scalici,Giuseppe,Ieracitano,Florence,Darel,Marina,Golovine,Fabio,Alessandrini
导演：吉安尼·阿梅利奥
简介：罗塞塔（瓦伦蒂娜•斯卡里希 Valentina Scalici 饰）和卢恰诺（朱塞佩•伊拉西塔诺 Giuseppe Ieracitano 饰）是一对相依为命的姐弟，她们的母亲因为逼女儿卖淫而锒铛入狱。此事遭媒体曝光后，两人随后被两个警察送上了去孤儿院的列车。其中一个警察因事先行告退，将姐弟俩托付给警察安东尼奥（恩里克•洛维索 Enrico Lo Verso 饰）独自看护。姐姐背负着雏妓的心理压力，但是弟弟却总是我行我素，两人常常发生争执。安东尼奥总是默默旁观，小心翼翼地呵护着两颗稚嫩的童心。在经历了抢劫、酒店驱逐，学校开除、哮喘疾病等一连串霉运后，安东尼奥似乎跟姐弟俩建立一种亦父亦友的关系，然而一张报纸却让他们的世界陷入崩溃的边缘……本片获第45届戛纳电影节评委会大奖。
主演：雅克·卡特兰,Léonid,Walter,de,Malte,Philippe,Hériat,Fred,Kellerman
导演：马塞尔·莱尔比埃
简介：Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery this movie intended to be a manifesto of the modern decorative arts.